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Inspired!

In my last year of grad school I had the great privilege of teaching the course Fundamentals of Music for Non-Majors.  It was the first course that I designed from scratch and I decided to make composition an integral part of the learning experience.  Among other tasks, the students wrote three pieces to demonstrate their understanding of the materials we covered - one based on rhythm, one based on melody/harmony, and one that used a simple musical form.

The night before the first composition was due, I received a panicked phone call from one of my students.  The student had obviously been struggling with the assignment and he asked me, "How do you get inspired?"  It was a difficult question for me to answer, because up to that time, I had never been short on the inspiration to compose.  Here's the long answer to his question.

Composers are inspired by many things.  Through out history, nature has been a common source of inspiration for composers.  Bird calls have found their way into, among other pieces, Beethoven's 6th symphony, Dvorak's American String Quartet, and Messiaen's Oiseaux Exotiques.  Debussy's La Mer and Respighi's Pines of Rome are two 20th century symphonic masterpieces based on nature. 

Composers are also inspired by other artists.  Those great masters of German Lieder, Robert Schumann and Franz Schubert, were inspired to write songs based on the poems of Heine and Goethe.  Modest Mussorgsky wrote Pictures at an Exhibition based on drawings and watercolors of the artist Victor Hartmann.  In writing his seminal work, The Rite of Spring, Igor Stravinsky teamed with a choreographer Vaslav Nijinsky and painter Nicholas Roerich.

Late in his life Brahms became inspired by the playing of clarinetist Richard Muhlfeld, and penned four masterful new works that included the clarinet.   Similarly, Mozart was inspired to write several arias for the magnificent soprano Caterina Cavalieri.   

And composers are inspired by the works of other composers.  Hector Berlioz had an unfailing admiration for the works of Beethoven, The overture to Richard Wagner's opera Tristan und Isolde had a profound impact on the Austrian composers that followed behind him. And many American composers have found the piano rags of Scott Joplin to be a great source of inspiration. 

New instruments or sonic possibilities have certainly motivated composers as well.  After Adolphe Sax invented the saxophone in France a wellspring of new works were created for it - like Debussy's Rapsodie pour Orchestra et Saxophone, Ravel's Bolero, and Milhaud's La Creation du Monde. 

The idea of writing music for electronics caught the imagination of many a composer as well - with significant early pieces by Varese, Berio, Ussachevsky, and Pierre Henry.  To this day, many composers derive a large part of their motivation from the sonic possibilities afforded by a computer manipulating sounds or creating them from scratch.  What an exciting prospect to create something new from what are essentially new instruments!

Significant world events have provided many sources of inspiration for composers - both positively and negatively.  After the 9/11 attacks the American Composer John Adams was inspired to write On the Transmigration of Souls.  He was not alone. Benjamin Britten's War Requiem and Charles Ives' General William Booth Enters into Heaven are other works created in response to war.  

Finally, I would be remiss if I didn't mention the importance of money, or a commission in providing stimulation. Personally, I've found it much easier to answer a 5 am alarm clock to compose if a payday is looming.

However, money is not the primary motivating factor for creating something new. For me, inspiration comes from an emotionally strong  reaction to something palpable in the world.  Often, it's a reaction to significant milestones in my kids' lives.  I've received so many ideas for pieces based on things they've done or said, or even by something simple that sparks my imagination - like reading them an inventive story.  

So to that student whose name I can no longer recall, I would now say - "get off the couch and read a poem or take a walk; take some time to tour an art gallery or go to a concert; spend some time enjoying your family and friends.  In short....live life!"

Abstracting the Abstract

Several years ago, my wife and I purchased a large abstract painting from a starving artist sale. It proudly hangs in our family room and I enjoy asking new guests what they see when they look at it. Some have seen an old woman in a hood; others see a dove; some see a chair; and those with a musical bent often see a sunken upright piano. 

Occasionally, I stare at the painting and see if I can pick out a new likeness. Other times I just ...<< MORE >>

in Dust and Ashes...

On Wednesday, many observed the beginning of Lent by attending Ash Wednesday services.  Many churches commemorate Ash Wednesday by placing the sign of the cross on the forehead of their members with Ash.  It's a solemn ritual, as the person administering the ashes says, "Remember that you are dust, and unto dust you shall return."

Ashes represent death on the one hand, but they also represent repentance through out the Bible. The book of Jonah says, "the people covered themselves with sackcloth and ashes as a sign of their intention to turn from their evil ways." The book ... << MORE >>

On First Impressions...

Several years ago, as I was prepping for one of my first interviews out of college, my dad shared some sage advice with me. He said, "Most people make up their minds about you within the first thirty seconds of meeting you."  Dad felt that a starched collar, a nice suit, a confident smile, and firm handshake were nearly as important in obtaining a job as the actual interview.

Trusting his advice, I went out and purchased a new suit and tie a few ...

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The Case of the Missing Scherzos

Often, when driving on a long trip, I'll flip through radio stations to find something that catches my interest. On several occasions, I've stopped to listen intently to an evangelist as he weaves a fabulous story relating modern day life to the scriptures. In addition to being great story tellers, many evangelists can spin a humorous yarn with the best of comedians. It's really a gift, and it helps 'the flock' pay attention to the entire sermon - even the serious parts.

In a lot of ways, composers ...<< MORE >>

Do Titles Matter?

I had arrived an hour early for my flight and needed something to occupy my time.Casually strolling through the stores I eventually found myself staring at a bookrack. I scanned the authors' names and realized how out of touch I had gotten with the whole novel scene nowadays. One of the titles did catch my eye however - 'Chill Factor' by Sandra Brown. I scanned the back of the book and thought the description sounded like an interesting story. A few minutes later I was sitting in gate H8 reading the first chapter.
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Beethoven Walked, We Text

At my last job interview, I was asked the question "Are you able to multitask?" It's a common interview question. I'd been asked it before, and knew that "no" was not the answer they were looking for. Multitasking is an essential skill in the business world. One must be able to talk on the phone and respond to someone else on Instant Messenger while locating a file for a coworker.

Certainly though, multitasking is not just a phenomenon isolated to the business world. Visit any coffee shop, and you'll find a simple face to face conversation is the ... << MORE >>

Dealing with the Ups and Downs of Being a Composer

Several weeks ago, I received two rejection letters on the same day for composing opportunities for which I had applied. While rejection is a normal part of any composer’s existence, and is normally something I’m able to shrug off, the piling on of bad news in the same day got to me a bit. I began to wonder how other composers dealt with this constant ebb and flow of a little good news and a whole bunch of bad news.   An informal survey revealed some interesting results.

 

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Composing and Family - Finding the Balance

It had been a good morning.  The way to pace a transition I'd been working on for days had come to me at 5 am.  I was up now, realizing the rhythmic sketches at a feverish pace - another half hour, and I'd be done.   I gaze at the clock - 6:15. Plenty of time! The pencil hits the paper again with reckless abandon and then... I hear it.

The pattering of tiny feet racing down the hall. In a second the door will burst open and a high pitched ...

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The Top Twelve Tips for Getting a Piece Selected on a Conference

In January, I'll begin looking at submissions for a new music festival I'm co-hosting in Cedar Rapids in the spring. This will be the fifth time I've served on a selection committee for a festival, so I thought I'd provide some helpful tips toward getting pieces selected for inclusion on a festival.

  1. Submit Complete and Neatly Notated Scores - This is always my first cut. If the composer does not appear to understand proper notational conventions, or their score is illegible, or missing key elements (like a tempo marking), it immediately goes into the ...
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Recent Entries

  1. Inspired!
    Monday, March 08, 2010
  2. Abstracting the Abstract
    Monday, March 01, 2010
  3. in Dust and Ashes...
    Thursday, February 18, 2010
  4. On First Impressions...
    Wednesday, February 10, 2010
  5. The Case of the Missing Scherzos
    Tuesday, February 02, 2010
  6. Do Titles Matter?
    Tuesday, January 26, 2010
  7. Beethoven Walked, We Text
    Monday, January 18, 2010
  8. Dealing with the Ups and Downs of Being a Composer
    Wednesday, January 13, 2010
  9. Composing and Family - Finding the Balance
    Tuesday, January 05, 2010
  10. The Top Twelve Tips for Getting a Piece Selected on a Conference
    Thursday, December 24, 2009

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  1. Marcy on Abstracting the Abstract
    3/3/2010
  2. Brad Fowler on The Case of the Missing Scherzos
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  3. Brad Fowler on Do Titles Matter?
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